performance/ Installation 
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HAUTLAMPE
			  GIANT TRAVEL LAMP


		      GIANTTRAVELLAMP 1999 coproduktion: HIKE 
backround text about the giant travel lamp and the holocaust monument from 1999 :
My first sight is a surreal Object, just a much to big table lamp...
But it has a background in reality and history. And it has a connection to the present discussion about the future holocaust monument wich is a very hot theme right now in Berlin. Since years the polititions get paid for talking and talking, and can´t find a solution what kind of monument they should build. For me the discussion is a farce, as long as victims don´t get reasonable indemnity, and the real "monuments" Auschwitz/Birkenau and all the other concentration camps itself pulverize! The discussion smells like hypocrisy.
The lamp  can be seen tastelessness, but it´s a symbol of tastelessness  in political way of acting!
			  The  Lamp is a symbol of warning ,thinking, what cruelty humans are able  to do.
		  
In the latest period of my artwork, I was busy on the item "Trophies". Man kills to have a souvenir to show off with. Safari, hunting sport, war- to improove with strengh and power - a male dominated thing. I tried to understand, what gives people a reason to act like this. Then I found the story about a woman and she is said to have given order to kill humans to make trophies (shades, bookcovers...) out of their tatoowed skin. So I started the attempt to look behind the subject of a woman`slamp ill perversion under the covering help of a fashist regime.
Her name  was Ilse Koch, she lived in the time1937-44 in the KZ Buchenwald as  the wife of the commandant.
		  The  trophies were given as corruption gifts to high ss-chiefs to hide  enrichment on the property of the prisoners in the KZ.
		  The  woman Ilse Koch was a house-wife  and mother of three children. In my  phantasies I saw a woman repairing the socks of her husband or with  an embroidery work., warm and  cosy light came from one of the corps-lampshades.  It´s kind of like reading the bible  under a hill of  corps!
For  me this is a non-understandable contrast. It´s what provoked me  and i wanted to put this piece  of art in the public room of discussion.
		  The work  of a housewife: keeping, cleaning, doing things that are not to be  seen the next day....frustration...everything  has to be white, clean and innocent. With the  might she had in her position in the KZ, she was able to rub out the  marks of the prisoners, people who gave the lifelong statement with  their tatoos : "I  do not belong to the society, I don´t want to be white and  clean, nobody is innocent." (btw: probably it was sailors and outlaws, whose tatoos were taken,  because jews are not allowed by religious law to mark their bodys)
		  About  the tatoo drawings on the lampshade:
		  The pot:  The german name Koch means "Cook" in english
		  Hands  coming out of nowhere. (no one wants to have known about  the  neighbourhood getting transported away)
Do they  open or close the pot? Once Pandorra`s box was opened, the evil of  the world was set free to destruct.
		  Lot´s  of today people try to keep the cover down, they don´t want to  know about their own perverted inclination. (and the ones of their  ancestors) They live under pressure, so the perversion seeks for an  uncontrolled outlet.
Those  who do not remember the past are condemned to repeat it
LIGHT  INTO THE DARK!